IV · Examples
No set yet. Click a pitch on the clock, press a number key 0–9 / Q / W, or pick an example.
No set yet. Click a pitch on the clock, press a number key 0–9 / Q / W, or pick an example.
The pitch-class set, as Allen Forte codified it in The Structure of Atonal Music (Yale, 1973), is an unordered collection of mod-12 integers — a way of describing harmonic content in Schoenberg, Webern, Varèse and elsewhere, where tonal labels falter. Two sets share a set class if one is the Tn or TnI transform of the other; the canonical representative is the prime form.
This calculator follows Rahn's variant (John Rahn, Basic Atonal Theory, 1980): most-packed-to-the-left, walking each interval inward. Forte's original 1973 packing rule produces a slightly different prime in a few cases (e.g. 5-20, 6-Z29). The Forte-number table embedded here is the standard catalogue, all 223 set classes.
Two cautions. Dmitri Tymoczko (A Geometry of Music, 2011) argues pc-set equivalence classes flatten the voice-leading and context that make atonal music musical — a chord becomes a label rather than an event. Philip Ewell (2020) places the discipline within a wider critique of theory's canon, of which Forte is a central figure. Both arguments are worth holding alongside this tool.